This performance is free and open to the public.
with special guest DORI FREEMAN and BROTHER ROY
The generative idea at the heart of Phoebe Hunt's new record, Shanti’s Shadow, lies in the double sense of its title — it refers, on the one hand, to the obverse of peace and tranquility, to the entangled ego at play in a world of knotty contradictions and selfish desires. In that sense, Shanti’s Shadow refers quite literally to the ego and the inescapable necessity of confronting it and claiming it as one’s own.
It is also, in a literal sense, a reference to Shanti Phoebe Hunt the artist, to her music’s quest to transcend creative limitations and give flight to her innermost voice.
“Each of us, no matter who we are, has a shadow side, a realm of our being associated in many traditions with the ego or the self,” Phoebe says. “Though what I create may have its roots in my soul, it first has to pass through the filter of my body and ego before it finds a place in the world. Knowing that, my goal for this album was to be as vulnerable and raw as possible in order to share my shadow.”
“The purity of Dori Freeman’s voice and the directness of her songwriting reflect not only her Appalachian hometown — Galax, Va. — but also a determined classicism, a rejection of the ways modern country punches itself up for radio and arenas.” – Jon Pareles, The New York Times
Brother Roy Williams, an American songwriter, guitarist, and multi-instrumentalist, writes music with a curious ear and an open mind. From the classic pop tunes heard on the first cassette Roy owned—The Beatles “Live at the BBC in 1963”—to the incomparable instrumental canon of Django Reinhart, Roy’s influences eclipse genre categorization, a trait that is reflected in the adventurous spirit of his own original songs.