BOB NOCEK PRESENTS | Concerts and Comedy in the Southeast and Beyond

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Doyle Bramhall II

  • Stag's Head Music Hall 106 Glenwood Avenue Raleigh, NC, 27603 United States (map)


Doyle Bramhall II is one of the most distinctive vocalists, guitarists, composers and producers in contemporary music. Indeed, none other than Eric Clapton, with whom Bramhall has worked for more than a decade, lauds him as one of the most gifted guitarists he has ever encountered. As the son of the late Texas music legend Doyle Bramhall, he was raised in a home filled with the blues and rock ’n’ roll styles indigenous to Texas.

But the younger Bramhall—a rare and distinctive guitarist who plays left-handed, but with his instrument strung for a right-hander and flipped backwards--had his own connections with the Vaughan brothers: Early in his career he was befriended and supported by Stevie. When he was 18, Bramhall was recruited by Jimmie to play with the Fabulous Thunderbirds. After Stevie’s tragic death in 1990, Bramhall II and Charlie Sexton formed the Arc Angels with drummer Chris Layton and bassist Tommy Shannon of Stevie Ray's fabled rhythm section.



Although Brandy Zdan calls her new, self-titled album her full-length “debut,” there’s no mistaking this seasoned singer-songwriter for any kind of rookie. For the better part of the last decade, the native Canadian — now living in Nashville, TN— has garnered acclaim as half of the gothic folk/roots duo Twilight Hotel, with two albums, 2008’s Highway Prayer and 2011’s When the Wolves Go Blind, nominated for prestigious Juno Awards (Canada’s Grammy), as a formidable multi-instrumentalist (touring and recording with the Americana all-girl band the Trishas), and even as a solo artist (with LoneStarMusic hailing her 2013 Lone Hunter EP as “a one-woman tour de force.”) But according to the artist herself, all of that was merely a prelude to the aptly-titled Brandy Zdan, the most focused expression of her musical identity to date.

Earlier Event: February 8
Art Garfunkel
Later Event: February 19
Scott Bradlee's Postmodern Jukebox